Gelato VFX’s Eddy Strickland outlines the processes involved in adding historically accurate colours to vintage film footage
With the production kit rental sector at a crossroads, we gather a panel of experts to discuss the lay of the land, key challenges...
In our third edition of a regular series, we explore how film festivals are handling AI as the industry struggles to adopt a standard
Frank Sun and Scott Aharoni delve into We Are Kings, their coming-of-age short that tackles the immigrant experience
We sit down with BAFTA-nominated black filmmaker Stewart Kyasimire to discuss the pitfalls and best practices of lighting diverse skin tones
We sit down with Dani Rose to discuss his role in bringing the Mission: Impossible franchise’s most audacious aerial stunts to life
Claudio Miranda, ASC slams on the throttle with some high-octane camerawork in F1
TARGO taps into spatial video, stereoscopic 3D and interactive media to serve the story in D-Day: The Camera Soldier – a groundbreaking new immersive...
Daniele Siragusano, image engineer at FilmLight, considers the impact of machine learning on the craft of the colourist
Our world tour continues with France, an industry known for its pioneering New Wave and its cinematic poeticism. We hear from Romain Lacourbas, ASC,...
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