Samsung has introduced the latest in portable SSD technology, the T5 range. These drives answer the need for faster, safer portable devices for the media and entertainment industry
Season two of the wildly popular Stranger Things is upon us and we talk to the main DOP Tim Ives about mixing an eighties look with modern filmmaking techniques.
Colourist Olivier Fontenay talks to Definition about how he approached colour sensitively to create a natural look that supported the narrative of the movie
We talked with CEO of Cineo Lighting Rich Pierceall about the lighting challenges we all face with the feast of oncoming technology
When movie superstar Tom Cruise signed on to The Mummy 2017, major changes happened; one of those was the actioning of a huge zero-gravity sequence
It won’t be long before SSDs replace all spinning hard disc drives in all but very high-capacity, bulk data storage.
The RED VistaVision camera was pushed through development to be used on the new Guardians of the Galaxy movie. DOP Henry Braham wanted a particular crispness and a colour for this strange family drama
Daphne Du Maurier’s bitter 19th century tale of lost love, deception and greed meets 21st century digital cinematography: and it looks great
The hugely successful Netflix series House Of Cards is now in its fifth season. But shooting practices are still derived from Season One with some strict dos and don’ts
When it’s pilot season at Amazon a bunch of dramas battle for the golden ticket of being ‘picked up’, but does the look help?