UK Production Sound Mixer John Casali adds to his awards with an Oscar for Sound Mixing for the movie Bohemian Rhapsody
One of the most innovative UK companies of recent times Timecode Systems has announced that it has been chosen as the sole supplier of timecode and sync products to Procam, one of the UK's largest digital cinematography and broadcast hire facility.
DSpatial is a suite of ProTools plug-ins designed to allow immersive 3D above and beyond object-based audio systems. Rafael Duyos describes how it works
Sennheiser has made its first Ambisonics microphone – making sense of this decades’ old technology
In an exclusive article, head DOP Ben Joiner explains what has changed and why in shooting Amazon’s The Grand Tour.
We follow our look at Filmstro, the brave new world of music library software, with Audio Network’s new plug-in that brings their huge library to Premiere Pro’s timeline. Is it more traditional? Yes, until you start using it.
We talk to Sebastian Jaeger from Filmstro, whose fascinating music library software defies categorising and will make composers of us all.
The new issue of Definition Magazine is now out with stories from Planet Earth II, Fantastic Beasts, Wildlife Confessions, The Grand Tour and much, much more...
In the next release of Adobe's Creative Cloud and available in early summer Premiere Pro CC will add new virtual reality capabilities, including 'field of view' mode for spherical stitched media.
Don't tell Yamaha but these music mixers are perfect for your video edit suite and an absolute bargain, says ADAM GARSTONE.
iKlip has joined company iOgrapher in turning Tablets and Smart phones in to devices that can legitimately be be used in pro AV situations.
Back in the day, editors cut picture looking at a blurry, over-compressed image. Often it seemed that 4 by 3 wasn’t just the aspect ratio – it was the number of pixels. As far as sound went, you could get the dialogue about right, and maybe add some music, but that was it.