As he celebrates his Lifetime Achievement Award from the ASC we find out what makes Robert Richardson tick.
UK Production Sound Mixer John Casali adds to his awards with an Oscar for Sound Mixing for the movie Bohemian Rhapsody
The VariCam series from Panasonic was used to shoot the new Netflix film, After Life, which features Ricky Gervais...
Kevin Baillie, VFX supervisor on Welcome to Marwen, explains how he brought the dolls to life.
The Polar Express and A Christmas Carol paved the way for director Robert Zemeckis’ latest feature, in which life-like dolls bring the story to life.
DOP John Mathieson explains the digital route of this traditional royal period drama with two impressive female leads.
This three-headed 18th-century romp continues the resurgence of film use for movies and commercials.
Very few American films were invited to the 2018 Cannes Festival, but Spike Lee’s latest ‘joint’, BlacKkKlansman, was a powerful exception that sent shockwaves through the audience.
There is a good reason stop-motion movies aren’t the norm. We talked with Isle Of Dogs DOP Tristan Oliver about surviving the experience.
When movie superstar Tom Cruise signed on to The Mummy 2017, major changes happened; one of those was the actioning of a huge zero-gravity sequence
Abel Gance’s five-hour classic silent movie may well have its greatest version yet in this painstaking restoration for the digital world. Definition talks to the BFI’s Kieron Webb and Paul Wright from Dragon Digital
Following Kodak’s new film processing plans, the company is also launching a high volume film content asset management business. But what's the end goal?