While the ARRI AMIRAs give The Grand Tour the large vistas, the minicams shoot the in-car reviews and essential guy banter. On the outside of the cars there’s more of a balancing act
DSpatial is a suite of ProTools plug-ins designed to allow immersive 3D above and beyond object-based audio systems. Rafael Duyos describes how it works
Sennheiser has made its first Ambisonics microphone – making sense of this decades’ old technology
Colourist Greg Fisher gives us an exclusive insight into how he delivered the final grade for Mat Whitecross’s new music documentary, Oasis: Supersonic
LockCircle is introducing their Kinetics Motion Ergonomics Concept for the new high-end professional Cinematic Cage for Fujifilm's X-T2 camera digital mirrorless camera.
Samyang Optics who are making some extremely good value cine lenses have announced a new one, the XEEN 16mm T2.6.
High level DIT Joe Jamieson takes a look at a new media manager but finds something that may be late to the party and of more use to assistants and post houses.
The latest iteration of Canon’s much-revered 5D camera adds a raft of new features, including 4K. Will it appeal to filmmakers?
Looks like Bristol-based Films at 59 might have invented the art of mixing audio for VR over five years ago based on their 360° work at Orbi in Japan.
Following Kodak’s new film processing plans, the company is also launching a high volume film content asset management business. But what's the end goal?
How do you make a Sunday night UK period drama look different from the rest? DOP John Lee and colourist Dan Coles had some definite plans.