The hugely successful Netflix series House Of Cards is now in its fifth season. But shooting practices are still derived from Season One with some strict dos and don’ts
When it’s pilot season at Amazon a bunch of dramas battle for the golden ticket of being ‘picked up’, but does the look help?
For those stuck in a studio for hours at a time it's a necessity to be comfortable. Pick your chair, your type of coffee, your lunchtime sandwich choice carefully. But the same can be said of the tools of your trade whether video or audio flavours. That includes your headphones, you might be wearing them for longer than any health and safety officer would advise.
Matthew Vaughn’s answer to the spy comedy genre just got bigger and better. We talk to the team behind Kingsman: The Golden Circle to learn more
‘Okja’ DIT Dan Skinner explains the Raw pipeline of this infamous Veggie Netflix movie
Shedding Light on War: cinematographer Michael Seresin BSC on War for the Planet of the Apes
Ember Films is an extremely busy Emmy Award-winning production company so when they get something that saves them time they pay attention.
Another Definition Gear Group takes a look at your storage choices. Everyone knows that digital means you store more footage and that is as true for single storage as it is for networked attached devices. We appraise the newest and most interesting types and look for speed hikes, capacity blow-outs and even AI that might change the way you work
When Disney chose to give its classic animation Beauty and the Beast the live action treatment, those enormous animated sets needed a real-world lighting design
Johann Perry is a vastly experienced documentary DOP who is shooting his first drama feature. Due to budget the lighting design was one of subtraction not addition
The eighth film in the epic sci-fi franchise, the new Alien: Covenant movie recalls the tone of the first time we met the acid-blooded xenomorphs
The production journey of the live-action version of Ghost in the Shell was never going to be smooth – which piled the pressure on the DOP and VFX vendors