John Owen shoots films for gym equipment manufacturers and was looking for a physical way to move his footage in to post
Paddington 2 takes the colour from the first film and bends the management rules. Technicolor senior colourist Peter Doyle explains how it was done
Channel 4 in the UK took ten Philip K. Dick stories and adapted them for television: but not without some technical hiccups
In England in 1605, a group of Catholics plotted to bring down the government. The BBC decided to bring the full force of realism to this famous story
Tom Box’s BAFTA award-winning Blue Zoo Studios in London is a major animator for children’s television; Samsung’s new Portable SSD T5 drive is helping him spread the word
Ninety years after the world first read about the characters from the Hundred Acre Wood, a British film is hitting cinemas revealing the back story
Samsung has introduced the latest in portable SSD technology, the T5 range. These drives answer the need for faster, safer portable devices for the media and entertainment industry
Season two of the wildly popular Stranger Things is upon us and we talk to the main DOP Tim Ives about mixing an eighties look with modern filmmaking techniques.
Colourist Olivier Fontenay talks to Definition about how he approached colour sensitively to create a natural look that supported the narrative of the movie
We talked with CEO of Cineo Lighting Rich Pierceall about the lighting challenges we all face with the feast of oncoming technology
When movie superstar Tom Cruise signed on to The Mummy 2017, major changes happened; one of those was the actioning of a huge zero-gravity sequence
It won’t be long before SSDs replace all spinning hard disc drives in all but very high-capacity, bulk data storage.