The second series of the detective series Marcella, written by The Bridge’s Hans Rosenfeldt, gets a new DOP and a new look
DOP Patrick Stewart is a master of the handheld shot. He’s currently bringing his skills to bear on Season 5 of Arrested Development on Netflix, making full use of his favoured set of Fujinon Cabrio lenses
We speak to DOP William Wages and Director Roland Joffé about the look for this moment in time new movie
In a highly technical digital movie some old Hollywood techniques carried the narrative.
There is a good reason stop-motion movies aren’t the norm. We talked with Isle Of Dogs DOP Tristan Oliver about surviving the experience.
Panasonic has announced a firmware upgrade to its AU-EVA1 compact cinema camera that, among many improvements, will see the camera capable of recording ALL-I codecs and outputting RAW.
Fujifilm has added to their stills to video convergent cameras with the X-H1 which has some high value video features including a 5-axis in-body stabilisation ability.
Live At Pompeii saw Pink Floyd’s David Gilmour return for two dynamic concerts, all shot in glorious 4K
Sony’s new X-OCN format promises Raw image capture performance but at lower data rates. Mark Moreve starts his journey to find out the truth
Fujinon has an enviable reputation for its cine lenses but is now concentrating on a wider market. We consider the new MK zooms alongside the latest Sony equivalent
A completely new system, including ALEXA LF camera, ARRI Signature Prime lenses and LPL lens mount
Paddington 2 takes the colour from the first film and bends the management rules. Technicolor senior colourist Peter Doyle explains how it was done