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Recently Added Articles

TV Studios re-fit for HDTV future
More craft training needed
Olympic Rig Specialists
IBC Commitment - Editorial
Iron Maiden's HDTV Air Studio
Shooting 'Rocknrolla'
Making 'Live at Abbey Road'
Capturing Colour - Sensors
REVIEW - GV Infinity

Favourites

An explanation of LUTS
Genesis on Superman Returns
Sony SRW1 early review
First UK RED feature
Review - Sony 900R
Shooting in HD - The Basics
The making of Shrek 3
RED Monstro sensor news
Review - Panavision 400
More on Sony F35
HDV the new generation
The making of LazyTown

Articles for editors, vfx artists and colourists
1 | 2 | 3 | 4 – Older articles

JANUARY 2007 - Is Hollywood enabling the rise of high definition movie making or hindering its progress? Well there are more HD movies around but shouldn't there be a lot more?

JANUARY 2007 - P2 media is fast approaching and some editing systems are not ready for it. Usage is just about to increase hugely so this tale of P2 use in China is useful

JANUARY 2007 - OPEN EXR is a file format invented by ILM for transfering files with metadata and 16-bit floating point performance – it has just won an Oscar and could be the new standard in file transfer from the set

NOVEMBER 2006 - The Last King Of Scotland is actually a biopic of Idi Amin the well-known butcher of Uganda. This case study talks about the surprising large amount of CGI involved

NOVEMBER 2006 - LUTs are now more of a standard item with the increase in digital cinematography. This article explains the basics of how to use them to your advantage.

NOVEMBER 2006 - High definition gaming is forcing the developers to invest in HD post production workflows and the games are costing millions now to produce. We survey the market.

NOVEMBER 2006 - A post production studio in Holland is offering a thin client set-up for media and data companies in and around the town of Hilversum with an all Avid workflow

NOVEMBER 2006 - The making of Call of Duty 3, a HD game for XBox 360 & PS3. How they made and how the production mirrors that of a high end digital FX movie.

SEPTEMBER 2006 - Hogfather - shot in HD by Arri's digital camera and posted for an HD TX in December. This is Sky's most expensive drama so far and high definition is driving the interest.

SEPTEMBER 2006 - How a DP who didn't like the choice of format worked around it and made it better in post (the format was HDCAM)

SEPTEMBER 2006 - Shot in 16mm and finished in HD – its the combination all owners of scanners are championing and keeps film going for another 20 years

JULY 2006 - The gear at the World Cup wasn't just to be worn by the supporters, it also had to capture, edit and be distributed throughout the world in HD – we have a particular story

JULY 2006 - Consumer technology from Pioneer and Meridian Audio might be heading for your studio. Are these technologies good enough for your clients?

JULY 2006 - How LazyTown, the kids day time TV programme, is pushing the high definition production envelope with live HD keying and a one camera approach to TV production.

JULY 2006 - Is Digital Intermediate evolving in the right way and with the right people? David Bush asks that the traditional route to intermediates shouldn't be forgotten

JUNE 2006 - The rise of LCoS is worth tracking and we have the best way with a four part series just on this technology. Every detail is looked at.

JUNE 2006 - AUTODESK's ingenious workflow tool TOXIK is explained by Ben Dair who is their TOXIK expert. Of interest to all post studios.

JUNE 2006 - Christie Digital has launched their 1920x1080 projector range with colour correction abilities

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