High Definition Issue 18 Contents EDITORIAL: The battle of open standards versus Sony standards has commenced NEWS: James Cameron is key note for NAB; Your own HD Trial for under £10k... GEAR: New products including Autodesk Toxik revisited. Also reports from 3rd European HDTV Conference and HD Here & Now conference FLY BOYS: Shot with Panavision Genesis, vfx from Double Negative and DI from Framestore CFC HIGHLANDER THE SOURCE: Digital cinematography with Thomson Vipers and a tapeless, uncompressed workflow MIRROR MASK: Shot on 35mm we follow this half animation half real life new movie TSOTSI: 2006 OSCAR winning film with digital intermediate story SIX BEND TRAP: Independent film company Iconopolis make their first film in high definition RED IS COMING! – We interview Jim Jannard, founder of Oakley Sunglasses and now funder of RED digital cinematography's latest entry 4K WORKFLOW SHOOTOUT: In late February Dalsa used their 4k camera to present material for 4k workflows to the post production world SOAPBOX: Olympus have had a 4K camera for nearly three years - now they have let Hollywood test it - also iGrid's use of 4K DIGITAL DEPTHS: Depth of field tests between Arri's D20 and Sony f900 REVIEW: PANASONIC HVX200 - Our first look at this new DVCPRO HD P2 camcorder HD WORLD - HDTV in the US - update RESOURCE LIST - HD gear available in Europe PRODUCER - BBC Producer Vanessa Berlowitz diarises her aerial experiences in Antartica

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