In the world of spin-up, spin-down productions, capital expenditure can be a nightmare. Escape Technology lets you rent hardware, enabling you to work with some incredible equipment at a fraction of the cost.
New Breed and Era of Drive Technology
The perfect environment to test the new Samsung Portable SSD X5 drive technology was somewhere speed is paramount
Data Freedom!
Netflix movie Outlaw King follows Scotland’s Robert the Bruce and his escapades against the old enemy – but the real capture story was the data
Dark Love
Cold War is the most colourful black & white film you’ll ever see and it could win the Academy Award for Best Foreign Language Film next year
Jar is open in Manchester
The North of the England now has JAR - a new kind of video post-production company that opened its doors on Friday 7th December and takes its place alongside Media City and the relocation of Channel 4 in the new and burgeoning media landscape of the North of England.
The smart media for cameras
At the start of this series on the use of portable Samsung SSD media we found that ingenious cinematographers had bypassed traditional camera recording media by deceiving cameras into thinking they were using other slower and more expensive products.
Gripping!
Climber Alex Honnold rehearsed his moves for a year before taking on the mighty El Capitan rock face – without ropes.
The Doctor we deserve
The Doctor Who of 2018 uses all the cinematic tools at her disposal, we talked to Denis Crossan, DOP of the pilot
Culture Clash
Shooting in Hong Kong and London gave DOP Eben Bolter two aesthetics to enhance this West/East ‘fish out of water’ story.
Working While Moving
International videographer Rob Crombie thought long and hard before purchasing Samsung’s Portable SSD T5 drives and revolutionising his business.
Lit Up!
Very few American films were invited to the 2018 Cannes Festival, but Spike Lee’s latest ‘joint’, BlacKkKlansman, was a powerful exception that sent shockwaves through the audience.
The Girl Can’t Help It
ITV’s drama offering is on the rise again with a new adaptation of William Makepeace Thackeray’s Vanity Fair. Production company Mammoth Screen has made this episodic for ITV and Amazon Video but how is it different from any other British made period drama?
