Latest Comments
Search
BUY DIGITAL EDITIONS

Click cover to go to our iBooks store - EACH NEW ISSUE ONLY £0.99

GALLERIES
Clouds
Categories
Downloads
movies
Picture Galleries
research


DIGITAL ISSUE SIGN UP
DIGITAL EDITION
Sign Up!
BOOK SHOP
  • In the Blink of an Eye: A Perspective on Film Editing
    In the Blink of an Eye: A Perspective on Film Editing
    by Walter Murch
  • Photographic Print of Birth of Cinematography from Mary Evans
    Photographic Print of Birth of Cinematography from Mary Evans
    Media Storehouse
  • DSLR Cinema: Crafting the Film Look with Video
    DSLR Cinema: Crafting the Film Look with Video
    by Kurt Lancaster
  • Film Directing Shot by Shot: Visualizing from Concept to Screen (Michael Wiese Productions)
    Film Directing Shot by Shot: Visualizing from Concept to Screen (Michael Wiese Productions)
    by Steven D. Katz
  • To Infinity and Beyond!: The story of Pixar Animation Studios
    To Infinity and Beyond!: The story of Pixar Animation Studios
    by Karen Paik, Leslie Iwerks
  • Beginning Filmmaking: 100 Easy Steps from Script to Screen (Professional Media Practice)
    Beginning Filmmaking: 100 Easy Steps from Script to Screen (Professional Media Practice)
    by Elliot Grove
  • Why Popcorn Costs So Much at the Movies: And Other Pricing Puzzles
    Why Popcorn Costs So Much at the Movies: And Other Pricing Puzzles
    by Richard B. McKenzie
  • The Guerilla Film Makers Handbook
    The Guerilla Film Makers Handbook
    by Chris Jones, Genevieve Jolliffe
  • Filmmaking for Teens: 2nd Edition: Pulling Off Your Shorts (Filmmaking for Teens: Pulling Off Your Shorts)
    Filmmaking for Teens: 2nd Edition: Pulling Off Your Shorts (Filmmaking for Teens: Pulling Off Your Shorts)
    by Troy Lanier, Clay Nichols
  • Making Documentary Films: A Practical Guide to Planning, Filming, and Editing Documentaries of Real Events / Barry Hampe.
    Making Documentary Films: A Practical Guide to Planning, Filming, and Editing Documentaries of Real Events / Barry Hampe.
    by Barry Hampe
  • How to Make Your Own Video or Short Film: All You Need to Know to Make Your Ideas Shine
    How to Make Your Own Video or Short Film: All You Need to Know to Make Your Ideas Shine
    by Bob Harvey
  • Lost - The Cinematography Team [DVD]
    Lost - The Cinematography Team [DVD]
    by Lost
  • Master Shots: 100 Advanced Camera Techniques to Get an Expensive Look on Your Low-Budget Movie
    Master Shots: 100 Advanced Camera Techniques to Get an Expensive Look on Your Low-Budget Movie
    by Christopher Kenworthy
  • Making Movies With Your iPhone
    Making Movies With Your iPhone
    by Ben Harvell

 

Related Posts with Thumbnails
« REVIEW: Wacom Intuos 5 | Main | HD Magazine Pro Video Camera Database Is Online »
Tuesday
Jul172012

REVIEW: G-RAID With Thunderbolt Interface

G-Raid with Thunderbolt interface onlyADAM GARSTONE reviews one of the first RAIDs with just a Thunderbolt I/O on them and finds speed in a sturdy package.

G-Technology have carved an enviable niche in the post-production world. A combination of high reliability and sturdy construction make them attractive, even if they aren’t, perhaps, the most feature rich or even the fastest drives around. 

Their latest product is a version of their G-RAID with Thunderbolt interfaces (only), rather than the existing product’s triple 3Gb eSATA, Firewire 800 and USB 2. 4TB, 6TB or 8TB units are available, preconfigured as RAID 0 (for speed) and formatted HFS+ for the Mac. You can reconfigure them in software as RAID 1 (for reliability) or, of course, format them for PC should you require.

Thunderbolt is gaining a lot of traction in the post world. All new Macs have it as standard, of course, and third party I/O manufacturers, like Blackmagic and AJA, are releasing startlingly able products with the interface, so the G-RAID makes a lot of sense. Thunderbolt allows you to daisy-chain devices together, so you can imagine editing in the field with a MacBook Pro, a Blackmagic Design UltraStudio 3D for video I/O and the G-RAID.

The unit itself is as sturdy as you would expect from G-Technology, being built from heavy gauge aluminium. It has a small, temperature controlled fan but isn’t overly loud, even with a couple of 7200rpm drives spinning round in there. I’m not so fond of the external power supply, or the hideous Thunderbolt logo glued to the front (sorry, Intel) but they’re tiny complaints – and, at least, an external PSU is easy to replace. One caveat though – there isn’t a Thunderbolt cable supplied in the box.

Blackmagic’s Disk Speed Test showed sustained write performance of 274MBytes/s and read of over 275MBytes/s. The old unit would just about manage somewhere near that over eSATA (which has a theoretical maximum of 300GBytes/s), but it’s streets ahead of USB or Firewire 800 (and remember that Thunderbolt is standard on new MacBook Pros). This throughput equates to 2.2Gbits/s, or about ¼ of the Thunderbolt maximum, so you still have plenty of bandwidth left for video I/O. The G-RAID uses SATA II discs internally, each of which gives maximum of 2.4Gbits/s of real data – in RAID 0 they are being written to (sort of) simultaneously, so the internal theoretical maximum would be 4.8Gbits/s – so it looks like the transfer rate is limited by the disc media, not the interfaces. It’s pretty fast though.

The 4TB drive is about £445 plus VAT online, 6TB is £539 and 8TB £635. The G-RAID with Thunderbolt is fast, reliable (remember that RAID 0 is less reliable than a single drive, but they come with a 3 year warrantee) and good value for money.

Blazing fast sustained write performance from the drive

PrintView Printer Friendly Version

EmailEmail Article to Friend

Reader Comments

There are no comments for this journal entry. To create a new comment, use the form below.

PostPost a New Comment

Enter your information below to add a new comment.

My response is on my own website »
Author Email (optional):
Author URL (optional):
Post:
 
Some HTML allowed: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <code> <em> <i> <strike> <strong>