Latest Comments
Search
BUY DIGITAL EDITIONS

Click cover to go to our iBooks store - EACH NEW ISSUE ONLY £0.99

Categories
GALLERIES
Clouds
Downloads
movies
Picture Galleries
research


DIGITAL ISSUE SIGN UP
DIGITAL EDITION
Sign Up!
BOOK SHOP
  • In the Blink of an Eye: A Perspective on Film Editing
    In the Blink of an Eye: A Perspective on Film Editing
    by Walter Murch
  • Photographic Print of Birth of Cinematography from Mary Evans
    Photographic Print of Birth of Cinematography from Mary Evans
    Media Storehouse
  • DSLR Cinema: Crafting the Film Look with Video
    DSLR Cinema: Crafting the Film Look with Video
    by Kurt Lancaster
  • Film Directing Shot by Shot: Visualizing from Concept to Screen (Michael Wiese Productions)
    Film Directing Shot by Shot: Visualizing from Concept to Screen (Michael Wiese Productions)
    by Steven D. Katz
  • To Infinity and Beyond!: The story of Pixar Animation Studios
    To Infinity and Beyond!: The story of Pixar Animation Studios
    by Karen Paik, Leslie Iwerks
  • Beginning Filmmaking: 100 Easy Steps from Script to Screen (Professional Media Practice)
    Beginning Filmmaking: 100 Easy Steps from Script to Screen (Professional Media Practice)
    by Elliot Grove
  • Why Popcorn Costs So Much at the Movies: And Other Pricing Puzzles
    Why Popcorn Costs So Much at the Movies: And Other Pricing Puzzles
    by Richard B. McKenzie
  • The Guerilla Film Makers Handbook
    The Guerilla Film Makers Handbook
    by Chris Jones, Genevieve Jolliffe
  • Filmmaking for Teens: 2nd Edition: Pulling Off Your Shorts (Filmmaking for Teens: Pulling Off Your Shorts)
    Filmmaking for Teens: 2nd Edition: Pulling Off Your Shorts (Filmmaking for Teens: Pulling Off Your Shorts)
    by Troy Lanier, Clay Nichols
  • Making Documentary Films: A Practical Guide to Planning, Filming, and Editing Documentaries of Real Events / Barry Hampe.
    Making Documentary Films: A Practical Guide to Planning, Filming, and Editing Documentaries of Real Events / Barry Hampe.
    by Barry Hampe
  • How to Make Your Own Video or Short Film: All You Need to Know to Make Your Ideas Shine
    How to Make Your Own Video or Short Film: All You Need to Know to Make Your Ideas Shine
    by Bob Harvey
  • Lost - The Cinematography Team [DVD]
    Lost - The Cinematography Team [DVD]
    by Lost
  • Master Shots: 100 Advanced Camera Techniques to Get an Expensive Look on Your Low-Budget Movie
    Master Shots: 100 Advanced Camera Techniques to Get an Expensive Look on Your Low-Budget Movie
    by Christopher Kenworthy
  • Making Movies With Your iPhone
    Making Movies With Your iPhone
    by Ben Harvell

 

Related Posts with Thumbnails
« Adobe Get Nearer To A Bigger Slice Of The Apple | Main | IBC 2012 HD Magazine DIGITAL DAILIES Are Published »
Thursday
Sep132012

Drift Eye GoPro Market

Once you think you’re in a sports clothing store you’re either at Drift’s or GoPro’s standNewcomer to the thrill seeker market ticks the boxes that GoPro doesn’t

GoPro cameras are everywhere even though the form factor isn’t exactly the best and once set you can’t change the settings - this last draw back was so frustrating for a user that he went away and invented the Lytro camera so he could focus after the event. But while GoPro evolves, competitors spy their achievements and sales with jealous eyes. Companies like Drift. IBC 2012 is their first proper show and they have a nice camera with remote to try and tempt the thrill seekers or even the broadcasters in Amsterdam.

The Drift certainly looks different and has more of a streamlined design to it for mounting on helmets and anywhere with air flow, where you shouldn’t mount is on your chest. The main difference between it and a GoPro is Drift has a rotational lens (like the Contour camera which is number 2 in the market), you can turn the lens 300 degrees so if you wanted to you could angle your camera on the side of something like a motorcycle’s petrol tank and have the footage the right way up as the sensor is now upright. This also helps with simpler mounting as you’re not trying to straighten your camera in a complex way to keep it upright.

It also has a built-in screen which GoPro does not. So you can look at what you have recorded and also access menus. You can also delete without having to go back to the office to look at what you have or haven’t got.

GoPro didn’t have a wireless remote until recently but Drift ships theirs with one (GoPro’s is sold separately). Pretty crazy not to have one of these as those long motorbike journeys are not as exciting as you thought they would be. Now you can stop them when you like. You can also pair the remote with up to 50 cameras so synch your ride with others or use in a production environment.

The unit has also been tested to be water resistant down to one metre but they do recommend you get a waterproof case. You record to MicroSD cards and will recognise up to a 32GB size. You have about 2-2.5 hours on the rechargeable battery and last but not least you are recording 1080P with 720P up to 50fps.

The basic unit is EURO 270 which comes with a mount and the remote. The equivalent GoPro is EURO 350. 

PrintView Printer Friendly Version

EmailEmail Article to Friend

Reader Comments

There are no comments for this journal entry. To create a new comment, use the form below.

PostPost a New Comment

Enter your information below to add a new comment.

My response is on my own website »
Author Email (optional):
Author URL (optional):
Post:
 
Some HTML allowed: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <code> <em> <i> <strike> <strong>