When we reviewed Panasonic's AC90 camcorder it was like poking the bear of the videographer especially when we mentioned the possible lack of resolution. See our review and comments here
Cine Gear has announced the recipients of the 2016 New Technologies Awards as judged by a team of impartial experts at the 2016 Expo event. The panel reviewed and evaluated nearly 100 entries to determine this year’s winners.
The HPA Tech Retreat, a pivotal gathering of those supporting the creation, management and dissemination of content, makes its UK debut in Oxfordshire, 13 - 14 July.
VFX Supervisor ADAM VALDEZ explains how in the latest adaptation of Jungle Book the capture of the single live character worked hand in hand with the groundbreaking VFX.
As GoPro struggles with the expectations of share holders and financial worries, you might want to look elsewhere for your action / lifestyle camera. OLFI is here to fill the void, it looks like a GoPro, feels like a GoPro and is on the way to shooting like one too.
Ex-University of Sussex PhDs Patrick Holroyd and Phil Watten started an academic exercise to see what they could make an iPhone do, initially to help their film making and broadcasting work. The result is Mavis, a £12.99 iOS App that turns your phone in to a broadcast camera.
Nic Hatch’s unique pre-vis technology got its first break on the movie Hugo, now Nic’s personal contacts might include Super Bowl broadcasters as well as video game entrepreneurs. But what’s really ground breaking is the Augmented Reality future.
Anything VFX heavy is perfect for these new virtual production camera systems. Film makers and studios are starting to get really interested in this, think of the biggest VFX movies coming up and a system like ncam will probably be on them. These movies are very much getting on board in terms of Virtual Production- as the new term is.
Long before production began, first-time feature director Tim Miller and cinematographer Ken Seng made choices that would help lead to Deadpool’s smashing success.