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<!--Generated by Squarespace V5 Site Server v5.13.156 (http://www.squarespace.com) on Sun, 19 May 2013 04:58:44 GMT--><rss xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><title>Def Mag</title><link>http://www.definitionmagazine.com/journal/</link><description></description><lastBuildDate>Thu, 16 May 2013 15:34:55 +0000</lastBuildDate><copyright></copyright><language>en-GB</language><generator>Squarespace V5 Site Server v5.13.156 (http://www.squarespace.com)</generator><item><title>Procam TV Completes Management Buy-out To Support Expansion</title><category>4k</category><category>broadcast</category><category>news</category><category>procam</category><category>rental</category><dc:creator>Definition Magazine</dc:creator><pubDate>Thu, 16 May 2013 13:59:26 +0000</pubDate><link>http://www.definitionmagazine.com/journal/2013/5/16/procam-tv-completes-management-buy-out-to-support-expansion.html</link><guid isPermaLink="false">561093:6470649:33721573</guid><description><![CDATA[<span class="full-image-block ssNonEditable"><span><img src="http://www.definitionmagazine.com/storage/procam.jpg?__SQUARESPACE_CACHEVERSION=1368712805200" alt="" /></span><span class="thumbnail-caption" style="width: 650px;">The Procam TV management team (L-R) Don Grant, Head of Systems Development; Helen Cardrick, Finance Director; Nick Badham, Director of Project Management; John Brennan, Managing Director; Paul Sargeant, Director of Operations</span></span>One of the UK&rsquo;s largest broadcast hire company, Procam TV (Procam) (<a style="color: purple;" href="http://www.procam.tv/">www.procam.tv</a>), has announced it has completed a management buy-out of the business, led by its existing management team.]]></description><wfw:commentRss>http://www.definitionmagazine.com/journal/rss-comments-entry-33721573.xml</wfw:commentRss></item><item><title>Review: Bayan Audio StreamPort Universal</title><category>audio</category><category>audio</category><category>bayan</category><category>bluetooth</category><category>nfc</category><category>reviews</category><dc:creator>Definition Magazine</dc:creator><pubDate>Thu, 16 May 2013 10:51:49 +0000</pubDate><link>http://www.definitionmagazine.com/journal/2013/5/16/review-bayan-audio-streamport-universal.html</link><guid isPermaLink="false">561093:6470649:33721150</guid><description><![CDATA[<span class="full-image-block ssNonEditable"><span><img style="width: 650px;" src="http://www.definitionmagazine.com/storage/bayan2.jpg?__SQUARESPACE_CACHEVERSION=1368701638436" alt="" /></span><span class="thumbnail-caption" style="width: 650px;">Bayan's StreamPort Universal uses Bluetooth and NFC to pair up.</span></span>Pairing up legacy audio devices might be part of your day to day working life, especially when you're in other people's studios or premises. You want something portable, maybe battery powered and that is quick to achieve a sound. Bayan Audio's StreamPort Universal might be that product. Apart from the battery powered side of things, it's only mains powered, the StreamPort ticks all the boxes. It's well made, as little as an Apple TV box and is pretty idiot proof to pair up to your hand/mobile device.]]></description><wfw:commentRss>http://www.definitionmagazine.com/journal/rss-comments-entry-33721150.xml</wfw:commentRss></item><item><title>Aptina Imaging's New 4K Sensor</title><category>4k</category><category>aptina</category><category>cmos</category><category>sensor</category><dc:creator>Definition Magazine</dc:creator><pubDate>Fri, 19 Apr 2013 10:51:24 +0000</pubDate><link>http://www.definitionmagazine.com/journal/2013/4/19/aptina-imagings-new-4k-sensor.html</link><guid isPermaLink="false">561093:6470649:33412001</guid><description><![CDATA[<span><span class="thumbnail-image-block ssNonEditable"><span><a href="javascript:showFullImage('/display/ShowImage?imageUrl=%2Fstorage%2Faptina.jpg%3F__SQUARESPACE_CACHEVERSION%3D1366369287032',458,824);"><img src="http://www.definitionmagazine.com/storage/thumbnails/6470648-22494995-thumbnail.jpg?__SQUARESPACE_CACHEVERSION=1366369315364" alt="" /></a></span><span class="thumbnail-caption" style="width: 650px;">The new Aptina sensor offers 4K at modes up 120fps.</span></span>The new AR1411HS CMOS sensor from Aptina has some interesting specs as far as 4K Digital Cinema is concerned. Its fast readout enables 4K video at 60fps, in either the Quad HD (3840H x 2160V) or the wider Digital Cinema 4K format (4096H x 2160V), and a helpful 120fps 1080p video mode.&nbsp;</span>The 15.8mm (1inch) diagonal sensor is a RGB Bayer type, has a total capture resolution of 4620 (H) by 3084 (V).]]></description><wfw:commentRss>http://www.definitionmagazine.com/journal/rss-comments-entry-33412001.xml</wfw:commentRss></item><item><title>Need For Speed's Need For Cameras</title><category>action</category><category>arri</category><category>cameras</category><category>canon</category><category>case study</category><category>cinematography</category><category>gopro</category><dc:creator>Definition Magazine</dc:creator><pubDate>Thu, 18 Apr 2013 11:22:37 +0000</pubDate><link>http://www.definitionmagazine.com/journal/2013/4/18/need-for-speeds-need-for-cameras.html</link><guid isPermaLink="false">561093:6470649:33408381</guid><description><![CDATA[<span class="full-image-block ssNonEditable"><span><img style="width: 650px;" src="http://www.definitionmagazine.com/storage/need_for_speed_prostreet_girls_5-HD.jpg?__SQUARESPACE_CACHEVERSION=1366284770363" alt="" /></span><span class="thumbnail-caption" style="width: 650px;">'Need For Speed' the movie is based on the video game.</span></span>Cinematographer Shane Hurlbut (Terminator Salvation, Act of Valor) is using eight of the lightweight Codex OnBoard 5 recorders to support the more than 35 cameras that are being used to shoot the film&mdash;often under the most extreme conditions.]]></description><wfw:commentRss>http://www.definitionmagazine.com/journal/rss-comments-entry-33408381.xml</wfw:commentRss></item><item><title>Iron Man 3 Gets First Time Digital Cinematography DP</title><category>3d</category><category>arri</category><category>cameras</category><category>cinematography</category><category>codex</category><category>news</category><category>phantom</category><dc:creator>Definition Magazine</dc:creator><pubDate>Thu, 18 Apr 2013 11:00:43 +0000</pubDate><link>http://www.definitionmagazine.com/journal/2013/4/18/iron-man-3-gets-first-time-digital-cinematography-dp.html</link><guid isPermaLink="false">561093:6470649:33408330</guid><description><![CDATA[<span><span class="full-image-block ssNonEditable"><span><img src="http://www.definitionmagazine.com/storage/ironman3.jpg?__SQUARESPACE_CACHEVERSION=1366282944950" alt="" /></span><span class="thumbnail-caption" style="width: 650px;">Iron Man 3, shot with Arri Alexa Plus and Phantom Flex cameras on the Codex recorders.</span></span>Cinematographer John Toll, ASC recently made his first digital feature on <em>Iron Man 3: Revealing the Mandarin on the Arri Alexa Plus and Phantom Flex cameras both with </em></span><span>Zeiss Master Prime and Angenieux Optimo Lenses recorded to Codex recorders.</span>]]></description><wfw:commentRss>http://www.definitionmagazine.com/journal/rss-comments-entry-33408330.xml</wfw:commentRss></item><item><title>Giant Steps</title><category>3d</category><category>case study</category><category>cinematography</category><category>movie</category><category>red</category><dc:creator>Definition Magazine</dc:creator><pubDate>Tue, 16 Apr 2013 14:33:17 +0000</pubDate><link>http://www.definitionmagazine.com/journal/2013/4/16/giant-steps.html</link><guid isPermaLink="false">561093:6470649:33393187</guid><description><![CDATA[<span class="full-image-block ssNonEditable"><span><img src="http://www.definitionmagazine.com/storage/jtgs.jpg?__SQUARESPACE_CACHEVERSION=1366122918845" alt="" /></span><span class="thumbnail-caption" style="width: 650px;">Jack The Giant Slayer was Thomas Sigel's first 3D movie.</span></span>Having worked on movies and documentaries since the early eighties Newton Thomas Sigel has seen and done it all. But Jack The Giant Slayer was his first stab at another dimension. How did he prepare for it and what has he learnt?]]></description><wfw:commentRss>http://www.definitionmagazine.com/journal/rss-comments-entry-33393187.xml</wfw:commentRss></item><item><title>Review: GoPro 3 Black Edition</title><category>cameras</category><category>gopro3</category><category>reviews</category><dc:creator>Definition Magazine</dc:creator><pubDate>Tue, 16 Apr 2013 12:58:38 +0000</pubDate><link>http://www.definitionmagazine.com/journal/2013/4/16/review-gopro-3-black-edition.html</link><guid isPermaLink="false">561093:6470649:33392810</guid><description><![CDATA[<span class="full-image-block ssNonEditable"><span><img src="http://www.definitionmagazine.com/storage/gopro3.jpg?__SQUARESPACE_CACHEVERSION=1366117268881" alt="" /></span><span class="thumbnail-caption" style="width: 650px;">GoPro has infused a new market for camera rigs and accessories and supposedly sold more 3s in 2 months than the total of 2s!</span></span>GoPro know when they are on to a good thing. Pretty much everyone who jumps out of an aircraft, surfs a tube, dives a coral reef, or races using internal combustion will have a GoPro glued to them somewhere - at least, if they are being followed around by a film crew.]]></description><wfw:commentRss>http://www.definitionmagazine.com/journal/rss-comments-entry-33392810.xml</wfw:commentRss></item><item><title>Review: Teranex 2D Standards Converter</title><category>blackmagic design</category><category>broadcast</category><category>compression</category><category>reviews</category><category>teranex</category><dc:creator>Definition Magazine</dc:creator><pubDate>Tue, 16 Apr 2013 12:43:33 +0000</pubDate><link>http://www.definitionmagazine.com/journal/2013/4/16/review-teranex-2d-standards-converter.html</link><guid isPermaLink="false">561093:6470649:33392763</guid><description><![CDATA[<span class="full-image-block ssNonEditable"><span><img style="width: 650px;" src="http://www.definitionmagazine.com/storage/teranex34.jpg?__SQUARESPACE_CACHEVERSION=1366116394496" alt="" /></span><span class="thumbnail-caption" style="width: 650px;">The re-invention of Teranex is complete.</span></span>At NAB 2012 Blackmagic Design launched the Blackmagic Cinema Camera. Everyone crowded round, oohing and ahhing, or bitching and moaning, as they do at these things, completely ignoring another major product launch, not 5 metres away on the same stand.]]></description><wfw:commentRss>http://www.definitionmagazine.com/journal/rss-comments-entry-33392763.xml</wfw:commentRss></item><item><title>Earth Bound: The Oblivion Movie And How To Avoid Blue Screen</title><category>case study</category><category>cinematography</category><category>f65</category><category>oblivion</category><category>sony</category><dc:creator>Definition Magazine</dc:creator><pubDate>Tue, 16 Apr 2013 11:40:13 +0000</pubDate><link>http://www.definitionmagazine.com/journal/2013/4/16/earth-bound-the-oblivion-movie-and-how-to-avoid-blue-screen.html</link><guid isPermaLink="false">561093:6470649:33392646</guid><description><![CDATA[<span class="full-image-block ssNonEditable"><span><img src="http://www.definitionmagazine.com/storage/skytower_oblivion.jpg?__SQUARESPACE_CACHEVERSION=1366112922056" alt="" /></span><span class="thumbnail-caption" style="width: 848px;">The front projection of a 500ft screen gave the DoP and actors a real environment to control and act in.</span></span>Tom Cruise seems to be experiencing some kind of resurgence as his latest movies have been wildly popular. His absolute latest, <em>Oblivion</em>, has a number of firsts attached to it. This is the first movie released that has been shot with Sony&rsquo;s flagship movie camera the F65, a 4K monster of a digital camera. The movie also features some ingenious staging techniques by DP Claudio Miranda, (fresh from winning an Oscar for <em>Life Of Pi)</em>, and Director Joseph Kosinski, director of <em>Tron</em>, a film shot by Miranda.]]></description><wfw:commentRss>http://www.definitionmagazine.com/journal/rss-comments-entry-33392646.xml</wfw:commentRss></item><item><title>NAB 2013: Latest Arri’s Pro Camera Accessories</title><category>accessories</category><category>arri</category><category>nab2013</category><category>nab2013</category><dc:creator>Definition Magazine</dc:creator><pubDate>Tue, 16 Apr 2013 11:20:33 +0000</pubDate><link>http://www.definitionmagazine.com/journal/2013/4/16/nab-2013-latest-arris-pro-camera-accessories.html</link><guid isPermaLink="false">561093:6470649:33392591</guid><description><![CDATA[<span><strong><span class="full-image-block ssNonEditable"><span><img src="http://www.definitionmagazine.com/storage/Base-Plate-for-Canon-EOS-1Dc_with-Cage-Console-Arm-CCA-and-Camera-Top-Handle-CTH.jpg?__SQUARESPACE_CACHEVERSION=1366111541556" alt="" /></span><span class="thumbnail-caption" style="width: 650px;">Arri's New Pro Camera Accessories shown at NAB 2013 include a base plate for Canon's 1DC &amp; 1DX.</span></span>ARRI</strong></span> showed a base plate solution for the Canon 1DC and 1DX DSLR cameras, which have deep bases and cannot be made compatible with the classic Mini Base Plate MBP-3. The plate for 1DC and 1DX is compatible with the ARRI Cage System II and makes use of features on the base of the Canon cameras to prevent body rotation.]]></description><wfw:commentRss>http://www.definitionmagazine.com/journal/rss-comments-entry-33392591.xml</wfw:commentRss></item></channel></rss>