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On the set of Extremely Loud and Incredibly CloseExtremely Loud and Incredibly Close, director Stephen Daldry’s film slated for a Christmas Day limited release was the first major studio production to shoot with the ARRI ALEXA camera in a Codex/ARRIRAW workflow. It was also the first digitally captured film for veteran cinematographer Chris Menges, ASC, BSC.
Russell England, Director: It is said that every director has a feature film script in his or her back pocket. I certainly had mine. Written by Richard Davis, Leathermill had been re-drafted and tinkered with since I had bought the option, but it had also been through the wash a few times - set aside when I was busy with other things, then pulled-out again after a few pints or an idle moment.
| FILM TITLE | DIRECTOR | DOP | ||
|---|---|---|---|---|
|
Extremely Loud and Incredibly Close
|
Stephen Daldry
|
Chris Menges BSC ASC
| ||
| The Avengers (3D) (aka Group Hug) | Joss Whedon | Seamus McGarvey BSC | ||
| Abraham Lincoln : Vampire Hunter | Timur Bekmambetov | Caleb Deschanel ASC | ||
| Hansel and Gretel : Witch Hunters (3D) | Tommy Wirkola | Michael Bonvillain | ||
| 47 Ronin (3D) | Carl Rinsch | John Mathieson BSC | ||
| Gravity (converted 3D) | Alfonso Cuarón | Emmanuel Lubezki AMC ASC | ||
| Gambit | Michael Hoffman | Florian Ballhaus | ||
| Kon-Tiki | Joachim Rønning | Geir Hartly Andreassen FSF | ||
| A Few Best Men | Stephan Elliot | Simon Windon ASC | ||
| Stefan vs Kramer | Stefan Kramer | Dan Mulligan |
Thursday, December 22, 2011 at 11:17AM