Codex/ArriRAW Combination Gaining Momentum
On the set of Extremely Loud and Incredibly CloseExtremely Loud and Incredibly Close, director Stephen Daldry’s film slated for a Christmas Day limited release was the first major studio production to shoot with the ARRI ALEXA camera in a Codex/ARRIRAW workflow. It was also the first digitally captured film for veteran cinematographer Chris Menges, ASC, BSC.
case study tagged
arri,
arriraw,
codex | 








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