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Christian Kaestner, Head of Nuke Compositing at Framestore, said,
“The decision to invest in Nuke came down to speed and flexibility. Nuke is simply incredibly fast, interactive, and flexible, even in quite complex comps with several hundred nodes. The interactivity the artist gets from Nuke out of the box is quite impressive - it even allows the supervisor to sit down with the artist to do an ‘interactive’ session if needed. And when building Nuke into the pipeline, we were able to access existing Python scripts and modules that weren't even designed for use with Nuke.
Framestore Buys Nuke License
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Newly-established Azimuth Post Production in the heart of Soho, UK, has invested in a Nucoda grading system.
New Azimuth get graded
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The LipSync Group has announced that it is to bring its diverse companies and divisions into one company, simply named LipSync. The various LipSync disciplines have always operated as individual companies within the LipSync Group, but from March 2009 they will be consolidated into one business.
Lipsync's Wings Clipped
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Grading Gear - How They Colour Top Gear
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Top Gear has rapidly become one of the most iconic programmes on British television and is particularly renowned for the quality of the grade used in its film sequences. Andy Stout talks to Evolutions’ Senior Colourist, Nick Adams, about giving Landrovers, Lancias, Lamborghinis and more ‘the look’ – MORE
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Quantel Offer Native Support for SI 2K Camera
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Quantel's Native Support for the SI 2K Camera is based on Cineform's RAW format in a new release for their eQ, iQ and Pablo platforms – MORE
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Sometimes dealing with 120 Terabytes of Data can cause a blockage in a post system. District 9 had a simple solution - More of Everything! Read More
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Prime Focus Rebrand And Chase 2D to 3D Post Market
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View-D is Prime Focus' new conversion software from 2D to 3D, and is a highlight in the week that they globally re-brand their company. Read More
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ARRI Launch Relativity DI Software
ARRI is to distribute Relativity, a new suite of software tools offering control of texture and time using sophisticated motion estimation techniques. Read More
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Adobe boldy goes again! - HD User Magazine
It doesn’t seem very long since Adobe released the boldest version of its production software that we’d seen, Creative Suite 3 Production Premium, but here we are with CS4 in the shops for both Windows and Mac platforms. Read More
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