The tech side of sports broadcast is constantly evolving with New ways to engage fans and different movement options for broadcast
Virtual Production wants to use your cinematography skills in its virtual world. but how do you get involved in its inevitable success?
Technicolor’s highly experienced colourist Jean-Clément Soret put the eighties aesthetic on Sky’s new Chernobyl drama, while keeping it real
For the first time, a major natural history series has been streamed; but what were the requirements to make it look better than traditional broadcast?
The SoCal trade show is once again upon us. Here’s our show preview
The visitor numbers might be down at this huge broadcast show, but the organisers have been quick to react – and we still had a great show
Blackmagic Design has today announced that the Gorilla Group had chosen DaVinci Resolve Studio as part of a facility expansion that has added in support for Dolby Vision color correction and IMF format delivery for Netflix.
Netflix’s Sex Education is a huge production with multiple set-ups, magnetic casting and a new camera. We talk to DOP Jamie Cairney. Words Nicki Mills
Following two years of rapid growth, Hackney-born Wash has announced its move to a brand new central London facility as it looks to improve its offering, and diversify into more long form work and visual effects-heavy pipelines.
The VariCam series from Panasonic was used to shoot the new Netflix film, After Life, which features Ricky Gervais...
Today’s Blackmagic Camera 6.2 update, which is free to download today, adds support for Blackmagic RAW to the Pocket Cinema Camera 4K.
In some productions it’s not acceptable just to shoot what you see, now you have to shoot all that’s available to see.