The SoCal trade show is once again upon us. Here’s our show preview
RED Digital Cinema has released its RED R3D SDK alongside REDCINE-X PRO software with accelerated decode and debayering on NVIDIA® CUDA platforms.
RED Digital Cinema has released its RED R3D SDK and accompanying REDCINE-X PRO software with accelerated decode and debayering on NVIDIA CUDA platforms
Following two years of rapid growth, Hackney-born Wash has announced its move to a brand new central London facility as it looks to improve its offering, and diversify into more long form work and visual effects-heavy pipelines.
In some productions it’s not acceptable just to shoot what you see, now you have to shoot all that’s available to see.
CVP, a broadcast and professional video solutions provider in the UK and Europe, has developed a sophisticated yet easy-to-use online tool that offers a visual representation of coverage of lenses when paired with various sensor formats, and different cameras using the same lens.
Netflix movie Outlaw King follows Scotland’s Robert the Bruce and his escapades against the old enemy – but the real capture story was the data
Director David Fincher drove an era-defining aesthetic using the highest-end equipment. Definition spoke to cinematographer Erik Messerschmidt to find out how it influenced the huge Netflix hit, Mindhunter
Season two of the wildly popular Stranger Things is upon us and we talk to the main DOP Tim Ives about mixing an eighties look with modern filmmaking techniques.
The RED VistaVision camera was pushed through development to be used on the new Guardians of the Galaxy movie. DOP Henry Braham wanted a particular crispness and a colour for this strange family drama
With some attractive upgrade deals from RED, moving up to 8K with the EPIC-W or HELIUM S35 is now a realistic ambition
Ember Films reviewed the G-SPEED Shuttle XL and found the perfect field partner for RED DRAGON 5K rushes