Overall VFX Supervisor Richard Stammers and MPC VFX Supervisor Patrick Ledda oversaw MPC’s teams, made up of more than 1200 artists and production crew, to deliver 1150 shots for “Dumbo”, over the course of two and a half years.
The new toolset uses machine learning analysis algorithms to isolate and modify common objects in moving footage—essentially automatically isolating objects in an image sequence. This has huge ramifications for accelerating VFX and compositing.
Following two years of rapid growth, Hackney-born Wash has announced its move to a brand new central London facility as it looks to improve its offering, and diversify into more long form work and visual effects-heavy pipelines.
As HDR finishing becomes the norm for many studios we look at what’s new in the monitoring world
This three-headed 18th-century romp continues the resurgence of film use for movies and commercials.
It’s a testament to the creatives involved in You Were Never Really Here that a warped time frame produced such a great looking film.
In a highly technical digital movie some old Hollywood techniques carried the narrative.
Live At Pompeii saw Pink Floyd’s David Gilmour return for two dynamic concerts, all shot in glorious 4K
Reproducing historic events isn’t easy. Do you go the sepia route or do you widen your recreation palette?
The eighth film in the epic sci-fi franchise, the new Alien: Covenant movie recalls the tone of the first time we met the acid-blooded xenomorphs
A Cure for Wellness is a beautifully made movie that uses all that cinema is good at to play with your mind and assault your senses, gradually leading you on a downwards spiral of graphic horror
Planet Earth II, this time it’s personal. Or this time it’s not so much about the grandeur from above but about the experience on the ground