Atomos has announced the new AtomX SDI module for Ninja V, which provides creators with the ability to record and output video over 12G-SDI up to 4Kp60.
Blackmagic Design has today announced that the Gorilla Group had chosen DaVinci Resolve Studio as part of a facility expansion that has added in support for Dolby Vision color correction and IMF format delivery for Netflix.
Following two years of rapid growth, Hackney-born Wash has announced its move to a brand new central London facility as it looks to improve its offering, and diversify into more long form work and visual effects-heavy pipelines.
The VariCam series from Panasonic was used to shoot the new Netflix film, After Life, which features Ricky Gervais...
As HDR finishing becomes the norm for many studios we look at what’s new in the monitoring world
The new Samsung Portable SSD X5 with the NVMe interface has a throughput performance that the HDR capture world has been waiting for
ITV’s drama offering is on the rise again with a new adaptation of William Makepeace Thackeray’s Vanity Fair. Production company Mammoth Screen has made this episodic for ITV and Amazon Video but how is it different from any other British made period drama?
Matthew Vaughn’s answer to the spy comedy genre just got bigger and better. We talk to the team behind Kingsman: The Golden Circle to learn more
The eighth film in the epic sci-fi franchise, the new Alien: Covenant movie recalls the tone of the first time we met the acid-blooded xenomorphs
Planet Earth II, this time it’s personal. Or this time it’s not so much about the grandeur from above but about the experience on the ground
In an exclusive article, head DOP Ben Joiner explains what has changed and why in shooting Amazon’s The Grand Tour.
OR the rise, fall and possible rise again of DSLRs. New cameras, newer ways to post-produce their footage and the onset of HDR might give DSLRs a new lease of life for pro video