For the first time, a major natural history series has been streamed; but what were the requirements to make it look better than traditional broadcast?
The SoCal trade show is once again upon us. Here’s our show preview
You find yourself coming back to action cameras even if you might not want to – it’s just that they are tailor-made for the job.
A new documentary will feature jetmen with strapped-on wings, flying at fixed wing speeds – but capturing the flight is just part of the story.
When movie superstar Tom Cruise signed on to The Mummy 2017, major changes happened; one of those was the actioning of a huge zero-gravity sequence
Spy in the Wild is the latest version of the ‘spy cam’ series of wildlife programmes that started almost 20 years ago
The efficiency of game engines in processing polygons and assets is enabling a live VFX option from feature films to live broadcasters; let the games begin
It isn’t just Ben Kenobi’s name that is surprising but also his rise to his current drone operator status from where he started – the NHS
When an Oscar-winning DOP shoots a film on drones with only one aerial shot you know times are changing
As natural history programmes increasingly base their cinematic sequences on the narrative, what part of the moviemaking box of tricks should you be looking to use?
Planet Earth II, this time it’s personal. Or this time it’s not so much about the grandeur from above but about the experience on the ground
If you put an engine the size of the one in the smallest specced Ford Fiesta in to an aircraft with non-powered rotors you have the latest in aerial cinematography