Our annual coverage of the art of aerial cinematography sees more R&D and greater demands on what aerial can achieve
The Men in Black franchise had to change to keep it fresh. But how to do it without disenfranchising the fans?
Line of Duty DOP Stephen Murphy breaks down his technique to capture Season 5 of this high-octane police drama
We speak to director Tom Harper and colourist Simone Grattarola about the making of Wild Rose, a new country music drama starring Jessie Buckley and Julie Walters
Teradek has introduced the Ace 500, an affordable zero-delay wireless video system for budget-conscious videographers. Built with the same reliable wireless technology found in the industry-standard Bolt product line, the Ace 500 offers an ultralight, streamlinedexperience at a more accessible price point.
Filmmakers who are producing their films or TV series in Finland will receive a 25% cash rebate for production costs.
Atomos has announced the new AtomX SDI module for Ninja V, which provides creators with the ability to record and output video over 12G-SDI up to 4Kp60.
Following two years of rapid growth, Hackney-born Wash has announced its move to a brand new central London facility as it looks to improve its offering, and diversify into more long form work and visual effects-heavy pipelines.
The VariCam series from Panasonic was used to shoot the new Netflix film, After Life, which features Ricky Gervais...
Cooke Optics will be revealing their new range of at NAB 2019 in Las Vegas from 8-11 April 2019.
Cinematographer Pedro Luque shot the new movie from the Dragon Tattoo series with a large format aesthetic, but it wasn’t all about a shallow depth-of-field.
Netflix movie Outlaw King follows Scotland’s Robert the Bruce and his escapades against the old enemy – but the real capture story was the data