Overall VFX Supervisor Richard Stammers and MPC VFX Supervisor Patrick Ledda oversaw MPC’s teams, made up of more than 1200 artists and production crew, to deliver 1150 shots for “Dumbo”, over the course of two and a half years.
The new toolset uses machine learning analysis algorithms to isolate and modify common objects in moving footage—essentially automatically isolating objects in an image sequence. This has huge ramifications for accelerating VFX and compositing.
Video and audio editing upgrades have been installed in Adobe Creative Could including Content-Aware Fill, Mask Tracking and audio mixing refinements...
Blackmagic Design has today announced that the Gorilla Group had chosen DaVinci Resolve Studio as part of a facility expansion that has added in support for Dolby Vision color correction and IMF format delivery for Netflix.
Following two years of rapid growth, Hackney-born Wash has announced its move to a brand new central London facility as it looks to improve its offering, and diversify into more long form work and visual effects-heavy pipelines.
The Polar Express and A Christmas Carol paved the way for director Robert Zemeckis’ latest feature, in which life-like dolls bring the story to life.
Live At Pompeii saw Pink Floyd’s David Gilmour return for two dynamic concerts, all shot in glorious 4K
Director David Fincher drove an era-defining aesthetic using the highest-end equipment. Definition spoke to cinematographer Erik Messerschmidt to find out how it influenced the huge Netflix hit, Mindhunter
Avid has opened up their video store with some impressive sale prices for Avid Artist Suite video editing solutions, including Avid Media Composer.
In the next release of Adobe's Creative Cloud and available in early summer Premiere Pro CC will add new virtual reality capabilities, including 'field of view' mode for spherical stitched media.
Avid has announced a new version of their Media Composer with some significant news that might keep some editors loyal to the brand.
Users of Adobe Premiere Pro editing software have suffered under the 'not fit for purpose' accusations fired at the platform for years. Maybe now with news from the Sundance Film Festival that 51 films debuting used Adobe Premiere Pro CC as their primary digital editing software, perhaps those days are over and you can cut away with pride.