When DP Charlotte Bruus Christensen and her Director Thomas Vinterburg insisted on using 35mm film for their film Far From The Madding Crowd, they were told only a couple of weeks before shooting that they could and there were only two UK labs available to process the film i-dailies.co.uk and cinelab.co.uk.
Oscar winning and Oscar nominee William Goldenberg has his pick of movies to edit including recently The Imitation Game. He talks about his methodology.
What drew you to the film?
“Initially it was the screenplay, I read a lot of scripts and that one leaped out.