Our annual coverage of the art of aerial cinematography sees more R&D and greater demands on what aerial can achieve
The Men in Black franchise had to change to keep it fresh. But how to do it without disenfranchising the fans?
Rolf Lindblom is an award-winning filmmaker from Finland and behind the sci-fi web series, END UNSUNG. Here, Rolf reveals his filmmaking process, life as a creative person and fan of cinema, and why he loves Schneider-Kreuznach lenses.
The Umbrella Academy fits the genre that Netflix is most known for, the near future or parallel sci-fi narrative. Words Nicki Mills
As he celebrates his Lifetime Achievement Award from the ASC we find out what makes Robert Richardson tick.
Netflix’s Sex Education is a huge production with multiple set-ups, magnetic casting and a new camera. We talk to DOP Jamie Cairney. Words Nicki Mills
UK Production Sound Mixer John Casali adds to his awards with an Oscar for Sound Mixing for the movie Bohemian Rhapsody
The VariCam series from Panasonic was used to shoot the new Netflix film, After Life, which features Ricky Gervais...
Kevin Baillie, VFX supervisor on Welcome to Marwen, explains how he brought the dolls to life.
The Polar Express and A Christmas Carol paved the way for director Robert Zemeckis’ latest feature, in which life-like dolls bring the story to life.
DOP John Mathieson explains the digital route of this traditional royal period drama with two impressive female leads.
The second series of the police drama Bancroft is being mostly shot at night. But how is DOP Mattias Nyberg coping with a new camera for the new series?