Panavision scooped the award for colour science in our Tech Innovation Awards by bolstering its DXL2 digital camera with some high-end and very usable look management
Now the dust has settled on the finale of Game of Thrones, it’s time to look back at the technical story
Game engines are disrupting the media industry – but really, platforms like Unity are just another tool set
Our annual coverage of the art of aerial cinematography sees more R&D and greater demands on what aerial can achieve
The Men in Black franchise had to change to keep it fresh. But how to do it without disenfranchising the fans?
Rolf Lindblom is an award-winning filmmaker from Finland and behind the sci-fi web series, END UNSUNG. Here, Rolf reveals his filmmaking process, life as a creative person and fan of cinema, and why he loves Schneider-Kreuznach lenses.
The Umbrella Academy fits the genre that Netflix is most known for, the near future or parallel sci-fi narrative. Words Nicki Mills
As he celebrates his Lifetime Achievement Award from the ASC we find out what makes Robert Richardson tick.
Netflix’s Sex Education is a huge production with multiple set-ups, magnetic casting and a new camera. We talk to DOP Jamie Cairney. Words Nicki Mills
UK Production Sound Mixer John Casali adds to his awards with an Oscar for Sound Mixing for the movie Bohemian Rhapsody
The VariCam series from Panasonic was used to shoot the new Netflix film, After Life, which features Ricky Gervais...
Kevin Baillie, VFX supervisor on Welcome to Marwen, explains how he brought the dolls to life.