The Polar Express and A Christmas Carol paved the way for director Robert Zemeckis’ latest feature, in which life-like dolls bring the story to life.
The second series of the police drama Bancroft is being mostly shot at night. But how is DOP Mattias Nyberg coping with a new camera for the new series?
DOP Stephen Murphy explains how he approached this bleak Irish period drama – particularly the lighting design.
Rosco’s buyout of French company DMG has resulted in a new programmable LED light with phone app user interface
We talked with Mike Bauman, lighting cameraman and guru for Phantom Thread about seeking a lo-fi and low-contrast light design.
ARRI release new SkyPanel update with Ten brand new features for advanced control.
Inspired by the 2013 movie of the same name, this 2018 TV pilot had to deliver an innovative lighting design for its post-apocalyptic journey
Season two of the wildly popular Stranger Things is upon us and we talk to the main DOP Tim Ives about mixing an eighties look with modern filmmaking techniques.
We talked with CEO of Cineo Lighting Rich Pierceall about the lighting challenges we all face with the feast of oncoming technology
When Disney chose to give its classic animation Beauty and the Beast the live action treatment, those enormous animated sets needed a real-world lighting design
Johann Perry is a vastly experienced documentary DOP who is shooting his first drama feature. Due to budget the lighting design was one of subtraction not addition
The production journey of the live-action version of Ghost in the Shell was never going to be smooth – which piled the pressure on the DOP and VFX vendors