Overall VFX Supervisor Richard Stammers and MPC VFX Supervisor Patrick Ledda oversaw MPC’s teams, made up of more than 1200 artists and production crew, to deliver 1150 shots for “Dumbo”, over the course of two and a half years.
Filmmakers who are producing their films or TV series in Finland will receive a 25% cash rebate for production costs.
UK Production Sound Mixer John Casali adds to his awards with an Oscar for Sound Mixing for the movie Bohemian Rhapsody
The VariCam series from Panasonic was used to shoot the new Netflix film, After Life, which features Ricky Gervais...
Kevin Baillie, VFX supervisor on Welcome to Marwen, explains how he brought the dolls to life.
The Polar Express and A Christmas Carol paved the way for director Robert Zemeckis’ latest feature, in which life-like dolls bring the story to life.
DOP John Mathieson explains the digital route of this traditional royal period drama with two impressive female leads.
Cinematographer Pedro Luque shot the new movie from the Dragon Tattoo series with a large format aesthetic, but it wasn’t all about a shallow depth-of-field.
Cold War is the most colourful black & white film you’ll ever see and it could win the Academy Award for Best Foreign Language Film next year
We talked with Mike Bauman, lighting cameraman and guru for Phantom Thread about seeking a lo-fi and low-contrast light design.
There is a good reason stop-motion movies aren’t the norm. We talked with Isle Of Dogs DOP Tristan Oliver about surviving the experience.
Inspired by the 2013 movie of the same name, this 2018 TV pilot had to deliver an innovative lighting design for its post-apocalyptic journey