Following two years of rapid growth, Hackney-born Wash has announced its move to a brand new central London facility as it looks to improve its offering, and diversify into more long form work and visual effects-heavy pipelines.
For the new Fantastic Beasts movie, Technicolor managed a huge and complex pipeline from dailies to deliverables.
Shedding Light on War: cinematographer Michael Seresin BSC on War for the Planet of the Apes
DITs look after your precious data but their rampant evolution is putting them in the middle of bigger, creative decisions
After 12 years she is still clowning around but this time in digital. We talked with the DoP, colourist and VFX team about how they created the ‘new’ Bridget Jones.
The days of local infrastructure for post studios are numbered. Studios in the cloud are here. While some M&E companies are dragging their feet, some like Amazon and Google are investing millions.
Avid has opened up their video store with some impressive sale prices for Avid Artist Suite video editing solutions, including Avid Media Composer.
ASSIMILATE announced today it is the first company to stream VR content to a headset from a cloud-based website through a standard browser for review and approval.
Avid has announced a new version of their Media Composer with some significant news that might keep some editors loyal to the brand.
Post facility dock10, based at MediaCityUK, announces the launch of its new 360VR content service available for both short and long form work.
Marquis Broadcast has today announced its archive and retrieve solution, Project Parking, now developed to be a complete Avid storage management solution, has been selected by Warner Bros. Television Production UK Ltd (WBTVP UK) to park projects.
Mosfilm, Russia's largest and oldest film studio complex, recently opened a new post production suite that was designed by UK acoustic consultancy White Mark Ltd.