RED Digital Cinema has released its RED R3D SDK and accompanying REDCINE-X PRO software with accelerated decode and debayering on NVIDIA CUDA platforms
Panasonic has announced a firmware upgrade to its AU-EVA1 compact cinema camera that, among many improvements, will see the camera capable of recording ALL-I codecs and outputting RAW.
Matthew Vaughn’s answer to the spy comedy genre just got bigger and better. We talk to the team behind Kingsman: The Golden Circle to learn more
Shedding Light on War: cinematographer Michael Seresin BSC on War for the Planet of the Apes
Canon has eyed the massive increase in high-end TV drama and film production and wants a slice of it. Welcome to the Canon EOS C700.
In our last look at the most technically awaited movie of the year we talk to director Ang Lee’s
right-hand man and fellow pioneer in high frame rate cinematography, Ben Gervais. Words Julian Mitchell.
DITs look after your precious data but their rampant evolution is putting them in the middle of bigger, creative decisions
SONY has upgraded their F5 and F55 cameras with a new firmware (Version 8) and news of a forthcoming 4K RAW recorder, the AXS-R7, enabling 120 fps at 4K raw.
As the art of Digital Cinematography evolves rapidly so do the roles of the people in it. Now there are companies like Fluent Image whose sole purpose is to be the fulcrum of everything to do with the curation of the image. We spoke with Kate Morrison-Lyons from Fluent and her work on The Martian and other huge movies.
Codex is now delivering the Codex V-RAW Recorder for the Panasonic VariCam 35 camera to customers worldwide.
The DxO One camera is the latest in a small line of camera accessories that attach themselves to smart phones, in DxO One’s case exclusively at the moment to iOS devices from iOS 8 up.
A bit of software that promises to transcode rushes for your NLE faster than the competition sounds like a Good Thing – we all spend too much of our lives watching that little blue progress bar inch, glacially, towards its destination.