With US and UK distribution, this Kinefinity camera is now on terra firma
Canon has eyed the massive increase in high-end TV drama and film production and wants a slice of it. Welcome to the Canon EOS C700.
OR the rise, fall and possible rise again of DSLRs. New cameras, newer ways to post-produce their footage and the onset of HDR might give DSLRs a new lease of life for pro video
With the release of the 8K camera due very soon, here at Definition Magazine we are running a short series of articles based on RED cameras.
AURORA Skycam, a Norwegian film enterprise has become the first company in the world to use the new ME20F-SH video camera to capture stunningly detailed low-light footage of one of the world’s most spectacular natural phenomena, the aurora borealis.
The promising Super 35mm CMOS sensor camera launched earlier this year has had a substantial v2 upgrade. The camera has been designed for the Independent film world as it offers full frame cinematic ability at under £5,000.
DoP Kramer Morgenthau is one of the lucky few who bestride the twin disciplines of movie and television.
Canon has introduced their first multi-purpose or remote cameras as long as your purpose isn't 4k production as it's only offered in high definition.
Mojo Media Solutions Announces Launch of Achtel’s TrueBlue Filter For RED Dragon and RED Epic Cameras
Mojo Media Solutions and Achtel have together launched TrueBlue, an optical filter that they claim significantly improves separation of blue colours from unintended red contamination for the RED Dragon and Epic cameras.
Cinematographer and workflow expert DAN MULLIGAN reviews the IO Industries FLARE 4K camera with a tried and tested sensor and processing that may appeal to the more adventurous.
ADAM GARSTONE reviews Blackmagic Design’s 4K URSA camera and finds a surfeit of high resolution monitors encasing a heavy camera with a sure-footed upgrade path.