The Men in Black franchise had to change to keep it fresh. But how to do it without disenfranchising the fans?
The SoCal trade show is once again upon us. Here’s our show preview
Overall VFX Supervisor Richard Stammers and MPC VFX Supervisor Patrick Ledda oversaw MPC’s teams, made up of more than 1200 artists and production crew, to deliver 1150 shots for “Dumbo”, over the course of two and a half years.
Video and audio editing upgrades have been installed in Adobe Creative Could including Content-Aware Fill, Mask Tracking and audio mixing refinements...
Kevin Baillie, VFX supervisor on Welcome to Marwen, explains how he brought the dolls to life.
The Polar Express and A Christmas Carol paved the way for director Robert Zemeckis’ latest feature, in which life-like dolls bring the story to life.
A new documentary will feature jetmen with strapped-on wings, flying at fixed wing speeds – but capturing the flight is just part of the story.
We talked with Mike Bauman, lighting cameraman and guru for Phantom Thread about seeking a lo-fi and low-contrast light design.
We all want cinema to survive but a mixture of a concentration of teen movies and high production value television has encouraged cinema chains to look elsewhere for their customers
The HPA Tech Retreat, a pivotal gathering of those supporting the creation, management and dissemination of content, makes its UK debut in Oxfordshire, 13 - 14 July.
Sci-fi writer William Gibson once commented “...the street has its own use for things”- meaning that most technologies get co-opted in different ways than expected, and eventually make their way to street level and open access. Take VFX (Visual Effects); once only associated with Hollywood films it is now almost ubiquitous.
VFX Legion is a postproduction facility unlike any other in that, strictly speaking, there is no actual facility. Read on to learn how the world’s first fully remote visual effects vendor operates, and how tools like cineSync ensure a harmonious workflow, no matter the geographical distance.