Don't tell Yamaha but these music mixers are perfect for your video edit suite and an absolute bargain, says ADAM GARSTONE.
iKlip has joined company iOgrapher in turning Tablets and Smart phones in to devices that can legitimately be be used in pro AV situations.
Back in the day, editors cut picture looking at a blurry, over-compressed image. Often it seemed that 4 by 3 wasn’t just the aspect ratio – it was the number of pixels. As far as sound went, you could get the dialogue about right, and maybe add some music, but that was it.
Mosfilm, Russia's largest and oldest film studio complex, recently opened a new post production suite that was designed by UK acoustic consultancy White Mark Ltd.
The virtual editing system of Forscene continues to tease editors with its promise of hardware-free editing using cloud-computing and a standard Internet connection.
Logic makes a fantastic addition to FCP X, for those who need to do more audio manipulation than FCP X’s tools allow – which is probably nearly everyone.
Oscar winning and Oscar nominee William Goldenberg has his pick of movies to edit including recently The Imitation Game. He talks about his methodology.
What drew you to the film?
“Initially it was the screenplay, I read a lot of scripts and that one leaped out.
zLense has launched a depth-mapping camera solution that captures 3D data and scenery in real-time and adds a 3D layer. The technology processes space information, making new and real three-dimensional compositing methods possible, enabling production teams to create 3D effects and use CGI in live TV or pre-recorded transmissions - with no special studio set up.
The system is similar to one that was introduced last year at IBC by FilmLight. Ncam, a company backed partly by FilmLight was demonstrating real-time visualisation of immersive 3D/CG graphics content in-camera while shooting at IBC on FilmLight’s stand.
Red Giant announced PluralEyes 3.5, an update to its Shooter Suite’s automated audio/video sync tool. PluralEyes literally saves hours or even days of audio/video syncing work by analysing the audio from all devices and automatically syncing them up with the touch of a button.
In an industry first, to achieve the best accuracy, PluralEyes 3.5 now includes the unique ability to correct sync drift where the audio and video begin to lose sync over time on longer clips. This lets it achieve frame-accurate syncs even for audio recorders that don’t have that level of accuracy themselves.
2014 MPSE Golden Reel Awards Set for February 16th.
The Motion Picture Sound Editors (MPSE) has announced that will it be honouring James Cameron with its MPSE Filmmaker Award at the 61ST MPSE Golden Reel Awards ceremony, Los Angeles, CA.