Season two of the wildly popular Stranger Things is upon us and we talk to the main DOP Tim Ives about mixing an eighties look with modern filmmaking techniques.
We talked with CEO of Cineo Lighting Rich Pierceall about the lighting challenges we all face with the feast of oncoming technology
When Disney chose to give its classic animation Beauty and the Beast the live action treatment, those enormous animated sets needed a real-world lighting design
Johann Perry is a vastly experienced documentary DOP who is shooting his first drama feature. Due to budget the lighting design was one of subtraction not addition
The production journey of the live-action version of Ghost in the Shell was never going to be smooth – which piled the pressure on the DOP and VFX vendors
Rogue One is one of the fill-in Star Wars films but is now seen as one of the best. DOP Greig Fraser tells us how he used his inner ten-year-old to achieve a special look
2017 marks 100 years since August Arnold and Robert Richter rented a small former shoemaker’s store in Munich and set up shop as a film technology firm
Rotolight launched their ANOVA PRO at NAB 2016. Now 10% lighter, with a new Flash Sync Trigger input, redesigned electronics and 25% more LEDs makes ANOVA PRO up to 43% brighter than the V2 Anova, plus the ability to flash at up to 300% brightness.
From the outset, part of the promise of the SkyPanel included firmware developments that would enhance the feature-set. SkyPanel Firmware 2.0 brings 10 new features and several refinements.
F&V at NAB 2016 has introduced their UltraColor Soft series, a new line of ultra-soft LED fixtures.
Lights like Photon Beard's Highlight Fluorescent luminaires have been in production for more than 20 years and form the backbone of studio lighting in TV studios around the world. But can their new LED range recreate the Fluorescent quality people love?
BBS Lighting have expanded their remote phosphor offerings with Multi-fixture Reflector banks and 4-way controller for their modular Pipeline system.