ITV’s popular police drama Vera has also been championed for its cinematography; the Darkwater episode is a great example.
Volumetric capture is in its infancy but Microsoft and Intel are leading the land grab with new studios and new customers
The second series of the detective series Marcella, written by The Bridge’s Hans Rosenfeldt, gets a new DOP and a new look
DOP Patrick Stewart is a master of the handheld shot. He’s currently bringing his skills to bear on Season 5 of Arrested Development on Netflix, making full use of his favoured set of Fujinon Cabrio lenses
Live At Pompeii saw Pink Floyd’s David Gilmour return for two dynamic concerts, all shot in glorious 4K
Canon has eyed the massive increase in high-end TV drama and film production and wants a slice of it. Welcome to the Canon EOS C700.
Spy in the Wild is the latest version of the ‘spy cam’ series of wildlife programmes that started almost 20 years ago
The efficiency of game engines in processing polygons and assets is enabling a live VFX option from feature films to live broadcasters; let the games begin
We all want cinema to survive but a mixture of a concentration of teen movies and high production value television has encouraged cinema chains to look elsewhere for their customers
Already nominated for awards, Netflix’s huge production, The Crown preserves the highest levels of craft while motoring through the life and times of the first family
As natural history programmes increasingly base their cinematic sequences on the narrative, what part of the moviemaking box of tricks should you be looking to use?
Planet Earth II, this time it’s personal. Or this time it’s not so much about the grandeur from above but about the experience on the ground