ITV’s drama offering is on the rise again with a new adaptation of William Makepeace Thackeray’s Vanity Fair. Production company Mammoth Screen has made this episodic for ITV and Amazon Video but how is it different from any other British made period drama?
When we find ourselves at a noisy Soho eatery with Goldcrest Post senior colourist, Adam Glasman, it’s hard not to feel incredibly lucky to have carved out 30 minutes of his time outside the suite.
How do you better the smash hit of the original Mamma Mia movie? You just follow the music.
It’s a testament to the creatives involved in You Were Never Really Here that a warped time frame produced such a great looking film.
Wildscreen today announced the nominees for the 2018 Wildscreen Panda Awards.
Is it a question one of ‘one or the other’ or is it more complicated than that? David Baillie asks the question.
ITV’s popular police drama Vera has also been championed for its cinematography; the Darkwater episode is a great example.
The second series of the detective series Marcella, written by The Bridge’s Hans Rosenfeldt, gets a new DOP and a new look
DOP Patrick Stewart is a master of the handheld shot. He’s currently bringing his skills to bear on Season 5 of Arrested Development on Netflix, making full use of his favoured set of Fujinon Cabrio lenses
We speak to DOP William Wages and Director Roland Joffé about the look for this moment in time new movie
In a highly technical digital movie some old Hollywood techniques carried the narrative.
We talked with Mike Bauman, lighting cameraman and guru for Phantom Thread about seeking a lo-fi and low-contrast light design.