DOP John Mathieson explains the digital route of this traditional royal period drama with two impressive female leads.
The second series of the police drama Bancroft is being mostly shot at night. But how is DOP Mattias Nyberg coping with a new camera for the new series?
In some productions it’s not acceptable just to shoot what you see, now you have to shoot all that’s available to see.
The first Blackmagic pocket camera appealed to lovers of 16mm film. The new one could be for everyone else.
Large format cinematography is in its infancy but these cameras are at the forefront of the new techniques.
This time last year we ran a rental special. now we revisit the topic to find out what’s changed in 2018.
For the new Fantastic Beasts movie, Technicolor managed a huge and complex pipeline from dailies to deliverables.
Cinematographer Pedro Luque shot the new movie from the Dragon Tattoo series with a large format aesthetic, but it wasn’t all about a shallow depth-of-field.
The FS5 II gets upgrades, including some previously paid for options, to make it even more attractive as a do-all workhorse for independent filmmakers.
You find yourself coming back to action cameras even if you might not want to – it’s just that they are tailor-made for the job.
Jon Shepley from Creokinetics reports on a camera that is almost too good to be true: the E2 from Z Cam
Leica Camera has created a fitting tribute to the world of cinema with the new release of the Leica M10-P “ASC 100 Edition”, celebrating the 100th anniversary of the American Society of Cinematographers.