RED Digital Cinema has released its RED R3D SDK and accompanying REDCINE-X PRO software with accelerated decode and debayering on NVIDIA CUDA platforms
Overall VFX Supervisor Richard Stammers and MPC VFX Supervisor Patrick Ledda oversaw MPC’s teams, made up of more than 1200 artists and production crew, to deliver 1150 shots for “Dumbo”, over the course of two and a half years.
Canon have announced the launch of their Sumire Prime lens series, which is a range of seven fast T-stop cinema prime lenses….
The VariCam series from Panasonic was used to shoot the new Netflix film, After Life, which features Ricky Gervais...
Cooke Optics will be revealing their new range of at NAB 2019 in Las Vegas from 8-11 April 2019.
The second series of the police drama Bancroft is being mostly shot at night. But how is DOP Mattias Nyberg coping with a new camera for the new series?
Cinematographer Pedro Luque shot the new movie from the Dragon Tattoo series with a large format aesthetic, but it wasn’t all about a shallow depth-of-field.
Leica Camera has created a fitting tribute to the world of cinema with the new release of the Leica M10-P “ASC 100 Edition”, celebrating the 100th anniversary of the American Society of Cinematographers.
Waiting for delivery of my RED HYDROGEN One (RH1), the latest endeavour for a company that changed the cinematography landscape, has been rather tedious.
Netflix movie Outlaw King follows Scotland’s Robert the Bruce and his escapades against the old enemy – but the real capture story was the data
Cold War is the most colourful black & white film you’ll ever see and it could win the Academy Award for Best Foreign Language Film next year
Climber Alex Honnold rehearsed his moves for a year before taking on the mighty El Capitan rock face – without ropes.