The tech side of sports broadcast is constantly evolving with New ways to engage fans and different movement options for broadcast
Virtual Production wants to use your cinematography skills in its virtual world. but how do you get involved in its inevitable success?
The festival offers free and exclusive access to the best of 2019’s product releases for content production from over 30 leading manufacturers
This time on Making of a Legend we celebrate a camera that’s intention was to save cinema, but did so much more especially for lovers of medium format imagery
Technicolor’s highly experienced colourist Jean-Clément Soret put the eighties aesthetic on Sky’s new Chernobyl drama, while keeping it real
Women are rising through the ranks in film production – and have been for some time. meet the female filmmakers, cinematographers and directors who have inspired me, given me direction and shown me the way in the film world
As part of our series profiling women in the FILM industry, we showcase the female colourists on our radar
The Samsung Portable SSD X5 is known for its speed, but London Hijack’s Rich Simpson was unprepared for just how much of a game changer it would turn out to be for his post-production studio
Why does conventional wisdom demand that a film with digital characters has to be captured digitally? Pokémon Detective Pikachu blows that theory out of the water
Line of Duty DOP Stephen Murphy breaks down his technique to capture Season 5 of this high-octane police drama
For the first time, a major natural history series has been streamed; but what were the requirements to make it look better than traditional broadcast?
We speak to director Tom Harper and colourist Simone Grattarola about the making of Wild Rose, a new country music drama starring Jessie Buckley and Julie Walters