As the new season of Netflix’s Bridgerton ventures below stairs for the first time, cinematographer Alicia Robbins, ASC lifts the curtain on the visual...
DOP Russell Carpenter, ASC talks virtual scouting, performance capture and lighting Pandora in the latest Avatar instalment
We dig into how V Studio delivered multiple worlds for OREO Night Twist using virtual production
DOPs Phedon Papamichael, ASC, GSC, GCA, Edu Grau, ASC, AEC, David Chambille, AFC and Sam Levy share insights into the technical challenges behind black...
Drawing on their experience across multiple productions, James Vorley and Stephen Walsh each assess how Mnemonica – a review, sharing, collaboration and archiving platform...
Broadley Studio elevates green screen virtual production with MRMC and Brainstorm
Stranger Things turned the world upside down. As the sci-fi saga comes to a close, we sit down with DOP Caleb Heymann, who explains...
Efficient pan and tilt control for the Nanlux Evoke 5000B and 2400B LED spotlights can now be smoothly achieved with the new YK-E-EVL Motorised...
Camera operator Charlotte Maguire shares her experience of the Atomos Ninja TX on an adventurous shoot in The Bahamas
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