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30 Years of Cine Gear

May 29th, 2026

CEO and co-founder Juliane Grosso reflects on three decades of Cine Gear Expo and what the future holds for the event and industry

AI on the virtual stage

May 10th, 2026

Artificial intelligence is transforming film and television production, and creeping inside the LED volumes of virtual studios too.

Production: Bedlam

May 8th, 2026

Big ambition met indie budget on Bedlam, an upcoming movie set in a 17th-century mental asylum. The project’s DOP & DIT discuss how they...

Preventing the next workflow break-in

May 7th, 2026

Neal Romanek highlights why rising complexity in production workflows makes robust content security more important than ever.

Top budget-friendly previs tools for pro...

May 5th, 2026

Our round-up of the top budget-friendly previs tools for pro filmmakers

The rise of gaming adaptations

May 2nd, 2026

As lines blur between visual media, studios & filmmakers are flocking to gaming franchises. We unpack the creative & commercial motives behind the growing...

The rise of vertical dramas

May 1st, 2026

Over the last five years, these short-form, mobile-first films have become a multi-billion-dollar industry. Nicola Foley takes a look at the production process and...

MPTS 2026 preview

April 30th, 2026

MPTS is returning to Olympia London for its 2026 edition, packed full of new show features to explore

Technique: Mastering the oner

April 24th, 2026

From Atonement to Adolescence, the oner has become one of film and TV’s most discussed techniques. Powerful storytelling tool or overhyped gimmick? Seamus McGarvey,...

Review: Aputure’s NOVA II

April 24th, 2026

Cinematographer Tim Cragg puts Aputure’s NOVA II through its paces on the shoot for an upcoming Netflix true-crime documentary

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