Latest Stories
Oren Soffer, DOP on Adam Wingard’s action flick Onslaught, blended old-school techniques with modern tech to achieve the film’s tactile, retro aestheticRead More
Despite its size, the FS60B claims 34,300 lux at one metre when fitted with the supplied reflector and our test using a Sekonic Spectrometer C-800 shows this is no exaggera...Read More
As the famous celebration of cinematography prepares for its 47th edition, we sit down with festival director Dimitrija Doksevski to find out more about the event and its e...Read More
Timm Cragg reviews the astera quikbeamRead More
Joshua Ighodaro breaks down the amaran Ray 660c, a streamlined, monolight-style design – the first full-colour COB in its power class.Read More
DOP Adam Newport-Berra, ASC breaks down filming the chaos of The Invite’s single-location dinner partyRead More
As the only remaining manufacturer of colour motion picture film, Kodak played a pivotal role in Christopher Nolan’s The OdysseyRead More
Writer-director Boots Riley’s second film is even more vibrant and visually absurd than his first – but the ideas are just as important as the execution. We chat with DOP N...Read More
We find out more about the Atomos A-Eye Controller Pro, a sophisticated solution for controlling, monitoring & managing multicam PTZ productionsRead More
High-resolution Raw footage demands storage that’s every bit as capable as the camera recording it. The Samsung Portable SSD T7 Shield deliversRead More



















