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Navigating high seas with the Atomos Nin...

February 12th, 2026

Camera operator Charlotte Maguire shares her experience of the Atomos Ninja TX on an adventurous shoot in The Bahamas

The sky's no limit with CineArray

February 11th, 2026

Always up for a challenge, there’s no production set-up that CineArray can’t help you with. Read how its latest 3+1 array even works with...

London calling for BSC Expo 2026

February 10th, 2026

As BSC Expo touches down in London, we take a look at what’s in store

Adding a little Zest with support from C...

February 9th, 2026

We find out how Zest, the Sainsbury’s in-house creative agency, shaped its impressive production capabilities with support from CVP

Nanlite introduces new high-output FC se...

February 6th, 2026

From studio portraits to film sets, Nanlite’s new bi-colour FC-720B and full-colour FC-720C offer 750W of versatile illumination and professional control

Samsung's unbridled performance

February 6th, 2026

Built for power, endurance and precision, the Samsung Portable SSD T9 has the horsepower for when productions are pushed to their limits

AI & the craft: Tools to try

January 29th, 2026

In our latest AI column, we check out five of the best practical tools designed to support, not replace, the creative process

Nanlite launches PavoSlim 360C ultra-thi...

January 23rd, 2026

The PavoSlim 360C is a slim LED panel that adapts to any production, from a single fixture to a full multi-panel set-up, delivering even...

Review: RED V-RAPTOR XE

January 15th, 2026

Cinematographers Nick Morris and Ailsa Aikoa join forces to put the new RED camera through its paces

Beyond the frame: Immersive storytelling

January 15th, 2026

Charlotte Mikkelborg, acclaimed immersive director and Craig Heffernan, EMEA director at Blackmagic Design, reflect on the promise and pitfalls of immersive storytelling

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